Michigan State University
Michigan State University
Global Studies in the Arts and Humanities
Scott Boehm
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BoehmPhoto.JPGScott Boehm

Degree: Ph.D., University of California, San Diego

Position: Assistant Professor of Spanish

Research Interests: 20th-21st Century Spanish Literature, Cinema and Culture; Spanish Civil War; Spanish Horror Film; Film Studies; Cultural Studies; Memory Studies; Trauma Studies; Psychoanalysis; Social Justice

Campus Address: B-452 Wells Hall

Phone: (517) 884-6307

Email: sboehm@msu.edu

Scott Boehm is Assistant Professor of 20th-21st Century Spanish Culture and Global Studies. His research focuses on contemporary popular culture and its intersections with Spanish history and politics. His book project, Ghosts, Cannibals & Crime: Spanish Popular Cinema in a Time of Crisis, is a study of the recent boom in Spanish horror film, thrillers and noir as it relates to the economic, political and institutional crisis reshaping Spain in the 21st century. He has published academic articles, book chapters and encyclopedia entries on Spanish cinema, popular theater and historical memory.

In 2007, Scott helped launch The Spanish Civil War Memory Project, a groundbreaking digital humanities project housed in the Southworth Spanish Civil War Collection at UC San Diego, for which he interviewed more than fifty survivors of Francoist repression. In 2008, as a Fellow of the Human Rights Center at UC Berkeley, Scott worked with the Association for the Recovery of Historical Memory in Spain, assisting with mass grave exhumations and conducting archival research that formed part of the evidence used in Judge Baltasar Garzón's historic investigation of crimes against humanity committed in Spain. Scott received his Ph.D. in Spanish Literature and Cultural Studies from the Literature Department at UC San Diego where he specialized in Spanish cinema.

Scott is the director of the MSU Latino Film Festival and affiliated with the Film Studies Program.



“Popular Theater as Space and Symbol of the Spanish Democratic Revolution” in Bulletin of Hispanic Studies (Forthcoming: Volume 95, 2018)

“The Politics of Public Memory in Madrid Now: From an ‘Olympic Capital of Impunity’ to Omnia sunt communia” in Cartographies of Madrid: Contesting Urban Space at the Crossroads of the Global South and Global North, Silvia Bermúdez and Anthony Geist (Eds.). Hispanic Issues, Vanderbilt University Press (Forthcoming: 2018)

Caníbal,” “El desconocido,” “Grupo 7,” “¿Qué hace una chica como tú en un sitio como este?,” “Nadie hablará de nosotras cuando hayamos muerto,” in Encyclopedia of Contemporary Spanish Film, Alex Pinar & Salvador Jimenez Murguia (Eds.). Rowman & Littlefield (Forthcoming: 2018)

Aparecidos, or How to Make the Ghosts Haunting You Disappear by Seeing Others”

in Historia, literatura y arte en el cine en español y portugués: estudios y perspectivas, María Marcos Ramos (Ed.). Centro de Estudios Brasileños, Universidad de Salamanca (2017)

“Por una memoria activa” in Políticas de memoria y construcción de ciudadanía, Ariel Jerez and Emilio Silva (Eds.), Postmetropolis Editorial (2015)

“Specters of Genocide: Mass Graves, Horror Film and Impunity in Post-Dictatorship Spain” in The Ethics of Remembering and the Consequences of Forgetting: Essays on Trauma, History and Memory, Michael O’Loughlin (Ed.), Rowman & Littlefield (2014)


Courses Taught

SPN 830: Postdictatorship Spanish Cinema: Trauma, Memory & Violence

SPN 491: Contemporary Spanish Cinema

SPN 491: Spanish Horror Film

SPN 420: Spain & its Literature

SPN 412: Culture & Crisis: Representations of the Spanish Economic Crisis

SPN 342: Media & Conversation

GSAH 310: Genocide, Justice & Documentary Film

GSAH 310: The Spanish Civil War as Global Conflict

GSAH 220: The Hispanic Atlantic